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Sho Bu Do Bu Jitsu Ju Jitsu
Principles
Following are examples of techniques within each principle. These will
change and evolve on a longterm basis.
- 1st Principle
- Also called nikyo by aikidoka.
A bent-wrist kansetsu-waza.
- 2nd Principle
- Kote gaeshi in all of its myriad forms.
- 3rd Principle
- Also called sankyo
by aikidoka. kansetsu-waza
with or without bent-wrist.
- 4th Principle
- Also called yonkyo
by aikidoka. Nerve holds, especially those affecting the radial nerve in the arm
and the corresponding nerve in the ankle.
- 5th Principle
- Armbars of all sorts and forms.
- 6th Principle
- Chokes of all sorts and defenses.
- 7th Principle
- Throws of any sort.
- 8th Principle
- Nerves and Pressure points throughout the body.
1st Principle
This wrist lock is performed by bending the wrist in a way it just doesn't
want to go (then again, aren't they all...). This can be done against a
reach, punch, grasp, or any motion where the opponent's hand is extended
(either by their volition or yours...) and capable of being twisted into
position by you. Meant to rapidly take the opponent down to their face
or knees, this is a very nasty technique when put on well, and is found
in many variations throughout the martial arts.

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2nd Principle
This is often termed reverse-hand throw. This again can come from a
grasp, reach, punch, stab, or any position where the opponent allows their
hand or arm to be grasped momentarily. The throw can be anything from a
gentle takedown to a real screaming-meemy of a fall that'll really hurt
ya. This is a pain throw...the person goes into the throw or they hurt
a lot (your option is whether they get the time to make the choice...).
Lots of variations on this one as well and you'll see it in most arts that
practice any sort of
kansetsu-waza
grappling. |

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3rd Principle
This wrist lock is a nasty one. Fairly easy to get into from a circular
block or parry or any grasp, once this is on, the opponent can't attack
very easily and it's easy to make them feel the pain of it. Again, lots
of variations on this, but this isn't one seen in as wide a range
of martial arts. |
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4th Principle
Our fourth principle is based on the application of pressure and thence
pain to the nerves in the forearms and lower legs. The aikido version of
these techniques is yonkyo.
A good physiological description of what occurs in the forearm techniques is
the application of pressure from the distal end of the 2nd metacarpal bone
(side of the forefinger knuckle) causes pain by pressure on the radial nerve or
periosteal nerves of the distal forearm. This is really a pretty advanced
technique and relies on precise application of technique, it can't be muscled
through to completion. |
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5th Principle
Armbars are usually seen in our style as a finishing technique, although
they are also done from a standing position to get an opponent down to
the ground. Standing armbars don't tend to be as effective, since the stabilizing
force of the ground doesn't aid in immobilizing the arm and preventing
the opponent from moving. Here are two examples of armbars used as a finish
to a throw or takedown.

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6th Principle
Chokes of all sorts are taught in Shobudo. Many of these are familiar
to those in grappling arts. We do tend to focus on chokes from a standing
start, as an auxiliary or a finish to a technique, rather than as something
we'd go to the ground to use. Mostly a difference in tactical emphasis,
rather than in technique. |
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7th Principle
Seventh principle is really a bit of a catchall for all throws and takedowns.
Anything where you hit the person with the ground... You'll see sweeps,
reaps, clotheslines, throws done from all of the other principles, body
throws, and more as a part of this principle. Mostly, the idea of taking
the opponent's mental and physical balance with movement and pain and using
that to throw them (nicely or not quite so...) is what comprises this principle.

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8th Principle
These pictures are of two techniques involving pressure points along
the jaws - One shown is a TMJ pressure point and one is attacking the jawline
along with the lymph nodes. In both of these, Amy is up, off balance and,
for the moment, in my control. Below these is a picture of Amy throwing
me with the use of a pressure point behind the ears (dokko).
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